This record would appear to be massively apt for the current climate and matching mood. This morning it was minus 14, I opened my front door and was assaulted by the kind of cracking and concrete like air that says 'death if you wear the wrong hat'. I have been in colder but it has always been for positive 'happy happy' recreational reasons: Chicago - record shopping, New York - record shopping, Amsterdam - three guesses?
But to be face-raped by this kind of weather not through choice but necessity, fuck if that doesn't ever make me miserable. Not even the weekends spoils (VIP record fair - review to follow) can detract from the fact that right now I am at a psychic low of below-freezing. Right now I am not just questioning my buying habbits but my very leaving the house, nay my bed. The office is shit as ever, two thirds empty and utterly silent. I could be at home listening to 'Scatology' really loud.
So the sound of 'Scatology' is not exactly what you might call 'cheery'. Quite why I put it on last night when I knew I was having trouble raising even the most enigmatic of smiles I don't know, but I did. I suppose after a car journey to Berlin last week that saw Starship's 'We Built This City on Rock n' Roll' played three times I am pretty much impervious to anything.
'Scatology' is integral to Coil's mythology, an important part of their Crowleyesque quasi-non/religious poop and blood worshipping synthesiser based insanity due to it being somekind of beginning. When I first heard of the group it was in association with 'Wax Trax' (Ugh) records and in retrospect I don't know if their brief period with the label was a genuine attempt at selling themselves to the RevCo/Ministry crowd or not. I imagine they had every chance of having a fan base to rival that of Skinny Puppy (musically parallells can be drawn with all three previously mentioned bands) and conquering Canada but it didn't happen. Now was it something to do with releasing a concept album about shitting? About shitting and then playing with it? About squeezing it through your fingers and smearing it on your face? Now I don't know for sure but if ever I felt safe in an assumption it would be now...
Yes you can hear toilets, melancholy 80s keyboards and a very angry John Balance but it's never as base as you might expect. It stops a long way short of anything too toiletty and is wonderfully deadpan throughout. Now unlike their peers (Death in June, C93, NWW etc) Coil actually managed to build on their manifesto of muck rather than falling short in later years. Sonically they became more powerful and visually more exciting but as starting points go this is a good one.
Unrelated: I run the risk of incurring the wrath of Angela Merkel and the German tourist board in saying this but seriously, if you can avoid ever coming to Bavaria ever as long as you live, please do so. It is the black, black heart of a very ugly place and that in mind track one, side two: 'Solar Lodge' - 'Watch the black sun rise.'
Slightly more related: Sadly no, my copy does not have the 'anal staircase' post card pasted on the front sleeve.
UPDATE 20/4/2011: It does now.
But to be face-raped by this kind of weather not through choice but necessity, fuck if that doesn't ever make me miserable. Not even the weekends spoils (VIP record fair - review to follow) can detract from the fact that right now I am at a psychic low of below-freezing. Right now I am not just questioning my buying habbits but my very leaving the house, nay my bed. The office is shit as ever, two thirds empty and utterly silent. I could be at home listening to 'Scatology' really loud.
So the sound of 'Scatology' is not exactly what you might call 'cheery'. Quite why I put it on last night when I knew I was having trouble raising even the most enigmatic of smiles I don't know, but I did. I suppose after a car journey to Berlin last week that saw Starship's 'We Built This City on Rock n' Roll' played three times I am pretty much impervious to anything.
'Scatology' is integral to Coil's mythology, an important part of their Crowleyesque quasi-non/religious poop and blood worshipping synthesiser based insanity due to it being somekind of beginning. When I first heard of the group it was in association with 'Wax Trax' (Ugh) records and in retrospect I don't know if their brief period with the label was a genuine attempt at selling themselves to the RevCo/Ministry crowd or not. I imagine they had every chance of having a fan base to rival that of Skinny Puppy (musically parallells can be drawn with all three previously mentioned bands) and conquering Canada but it didn't happen. Now was it something to do with releasing a concept album about shitting? About shitting and then playing with it? About squeezing it through your fingers and smearing it on your face? Now I don't know for sure but if ever I felt safe in an assumption it would be now...
Yes you can hear toilets, melancholy 80s keyboards and a very angry John Balance but it's never as base as you might expect. It stops a long way short of anything too toiletty and is wonderfully deadpan throughout. Now unlike their peers (Death in June, C93, NWW etc) Coil actually managed to build on their manifesto of muck rather than falling short in later years. Sonically they became more powerful and visually more exciting but as starting points go this is a good one.
Unrelated: I run the risk of incurring the wrath of Angela Merkel and the German tourist board in saying this but seriously, if you can avoid ever coming to Bavaria ever as long as you live, please do so. It is the black, black heart of a very ugly place and that in mind track one, side two: 'Solar Lodge' - 'Watch the black sun rise.'
Slightly more related: Sadly no, my copy does not have the 'anal staircase' post card pasted on the front sleeve.
UPDATE 20/4/2011: It does now.
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